Jennifer Droguett reads the mother-daughter bond as a metaphor for our relationship with the earth — in rescued wool suiting, seaweed-spun knitwear and ferns printed in bio-based black.

While mainstream land art of the 1970s often tried to dominate the landscape, Ana Mendieta treated the earth as a collaborator. The work of the artist reminds us that the body is not separate from the soil, it is an echo of it.

In it’s final week at the ICA, artists Jenna Bliss, Buck Ellison and Jasmine Gregory investigate what effect the post-2008 era has had on societal myths of fairness in Genuine Fake Premium Economy.